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:: ROYALTIES::
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All songs published by Innerface Sounds. Innerface Sounds ASCAP All
rights Reserved For information:
Innerface Sounds
P.O Box 2167
Kitty Hawk, NC 27949
(252) 449-8830
E-Mail
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S E R V I
C E S
R O Y
A L T I E S
There are a number of
ways that money flows in. These are all called Royalties.
ARTIST ROYALTIES
What is usually referred to simply as
"Royalties" is more properly known as Artist Royalties.
This is the percentage of the record sales that the label agrees
to pay the artist. This money is not in any way protected or
governed by Copyright law, it is all determined in the
CONTRACT
PERFORMANCE ROYALTIES
refer to the money that must be given to the
copyright holder(s) every time the composition is
"performed". Every radio station, club, restaraunt, and
retail store (that plays music) is liable to pay the copyright
holder every time they play the composition. Since you can't be
there all the time checking up on these people, companies like BMI
ASCAP GEMA etc were created by artists (back in the day) to
administer these copyrights. There is a lot more money than you
think generated from radio play of "underground" music.
Much of it is never collected so they give it all to Led Zeppelin.
MECHANICAL ROYALTIES
refers to the money that must be paid to the
owner of the (composition) copyright every time a physical copy is
made of any record containing that composition.
That means for every actual peice of vinyl,
8-track or cassette, a certain amount must be paid the copyright
owner (usually the composer) . Excluding use for broadcast, hence
all the specifically marked "promo only" stuff. The
artist never gets paid for those copies. Nor do they get money
when their (major) label gives bunches of those records to Record
and Tape Clubs. They are considered promotional copies, given to
those companies as a "reward" for buying a certain
amount of another artist.
By law, this right cannot be assigned to the
label ! So usually in a recording contract, the label bargains a
lower rate (usually 2/3 or 3/4) that it must pay the composer.
Again, this is a lot of paper work, small labels usually just roll
this archaic stuff into a decent royalty rate.
The reason I call this archaic, is that it is
grown out of an old system where the composer, arranger,
performer, and label are very distinct entities.
In the US, the HARRY FOX
AGENCY is known for collecting and administrating
Mechanical Licenses.
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Copyright © 1999 Innerface Sounds. All rights
reserved.
Revised:
February 27, 2008.
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